Takes after friendless barkeep Bob Saginowski through an incognito plan of piping money to nearby hoodlums – “cash drops” – in the underworld of Brooklyn bars. Under the overwhelming hand of his head honcho and cousin Marv, Bob ends up at the middle of a burglary gone astray and weaved in an examination that dives profound into the area’s past where companions, families, and adversaries all work together to bring home the bacon – regardless of the expense.
It has been a few years since youthful Sawyer Nelson and the devoted group at the Clearwater Marine Hospital, headed by Dr. Mud Haskett, recovered Winter. With the assistance of Dr. Cameron Mccarthy, who created a novel prosthetic tail for the harmed dolphin, they could spare her life. Yet their battle is not over. Winter’s surrogate mother, the elderly dolphin Panama, has passed away, leaving Winter without the main poolmate she has known. On the other hand, the loss of Panama may have considerably more prominent repercussions for Winter, who, as per USDA regulations, can’t be housed alone, as dolphins’ social conduct obliges them to be matched with different dolphins. Time is heading out to discover a partner for her before the group at Clearwater loses their darling Winter to an alternate aquarium.
A friendless mother, welcomes a good looking fender bender victimized person into her home. Edgy for a little consideration, she doesn’t understand she’s engrossing a sociopathic, yet beguiling break convict. In one threatening night her life totally changes as she battle for her own particular life and the life of her kids in No Good Deed.
1962. A breathtaking American couple, the magnetic Chester Macfarland (Mortensen) and his appealing more youthful wife Colette (Dunst), touch base in Athens by watercraft through the Corinth Canal. While touring at the Acropolis they experience Rydal (Isaac), an adolescent, Greek-talking American who is acting as a visit aide, defrauding travelers as an afterthought. Attracted to Colette’s magnificence and awed by Chester’s riches and complexity, Rydal happily acknowledges their welcome to supper. Nonetheless, all is not as it appears with the Macfarlands and Chester’s approachable outside conceals darker insider facts. At the point when Rydal visits the couple at their elite inn, Chester presses him to help move the collection of an apparently oblivious man who he claims assaulted him. In the minute, Rydal concurs however as occasions take a more vile turn he ends up bargained and not able to force himself free. His expanding fixation on the powerless and responsive Colette offers ascent to Chester’s desire and suspicion, prompting a strained and
In 1936, William and Helen Hemsley (Brian Geraghty, Amanda Crew) welcome identical twin boys into the world. But their joy is quickly tempered by a sobering realization; how could they give these children any kind of a life beyond the desperate poverty that haunted many families in the midst of the Great Depression? When evangelist Reece Wade (Ray Liotta) reveals that he and his wife Louise (Ashley Judd) cannot have children, William feels the Lord’s prompting to give them one of the infant boys. Both brothers are born with passion, drive and awesome musical talent, but take very separate, yet converging paths. Drexel Hemsley (Blake Rayne) rises like a comet and changes the music world forever. His adopted brother, Ryan Wade (also played by Blake Rayne) struggles to find the purpose for his life. All the way into manhood he wrestles with pleasing Reverend Wade, his loving but controlling father, who is convinced his son Ryan is called into the ministry. Ryan is encouraged by his
Miles of twisting catacombs lie beneath the streets of Paris, the eternal home to countless souls. When a team of explorers ventures into the uncharted maze of bones, they uncover the dark secret that lies within this city of the dead. A journey into madness and terror, As Above, So Below reaches deep into the human psyche to reveal the personal demons that come back to haunt us all. Written by John Erick Dowdle and Drew Dowdle (Quarantine, Devil) and directed by John Erick Dowdle, the psychological thriller is produced by Thomas Tull, Jon Jashni, Drew Dowdle and Patrick Aiello. Alex Hedlund serves as the executive producer.
An ex-CIA operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level CIA officials and the Russian president-elect.
In the span of a single day, the town of Silverton is ravaged by an unprecedented onslaught of tornadoes. The entire town is at the mercy of the erratic and deadly cyclones, even as storm trackers predict the worst is yet to come. Most people seek shelter, while others run towards the vortex, testing how far a storm chaser will go for that once-in-a-lifetime shot.
Filmed over 12 years with the same cast, Richard Linklater’s BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason’s parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay’s Yellow to Arcade Fire’s Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting.